Carrying Cases of Field Cameras
Since
field cameras were meant to be toted around, they often came complete with a
carrying case. Even when sold without a lens, the case was usually
supplied.
The most common case material in the 1880's to the early
1890's was wood. It is durable and protects the camera as well as any case
can. The wood used was either pine or white wood and approximately 1/4"
thick.
Cases from different manufacturers can usually be identified
from their construction. E.&H.T. Anthony wood cases had box joints, were
thinly varnished, and often had metal guides or corner guards and leather
handles held on by metal hardware.
Scovill
Mg. Co. cases featured spline joints and cast iron folding handles.
Rochester
Optical Co. wood cases have box joints, heavier varnish than Anthony cases, and
are the easiest to identify since they are normally stamped with the
manufacturer.
E.&H.T.
Anthony produced a brass bound canvas case which was almost as robust as a
wooden case.
Oddly
enough, canvas-covered cardboard cases of the 1880's were found with expensive
cameras, like those of the American Optical Co. and Blair Tourograph and Dry
Plate Co.
In the
1890's canvas-covered cardboard cases became commonplace.
There were satchel-looking types.
There
were short canvas cases that could stow the camera and one or two plateholders.
Sometimes
a long version was also available, with room to the side of the camera for up to
6 plateholders, and even room for a tripod in some of them.
In
the 1920's and later, leatherette-covered wood or cardboard cases, or fiberboard
cases were used.
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